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this is don pickard with a brief

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description of what i kind of had in

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mind when i put these scenes together

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the crew you're looking at is a 26 crew

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in which

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they before their flight got together

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and said you know what kind of a story

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do we want to tell them what kind of a

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movie do we want to make when we get

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back and so they gave it some thought

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when they when they made their shots

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um this is uh a good shot in that it

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shows both the commander

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and the pilot

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they shot it long which gives me as an

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editor

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more time

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to uh

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or more footage to select what kind of a

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shot i want or where in the shot i want

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to go

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and

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it's better to have

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it gives you an option of cutting this

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particular sequence several different

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ways

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now i've let these scenes run from

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camera stop to camera stop

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so you get an idea of their length

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and

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the action that's going on so in some

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places i won't have anything to say

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but it's good as

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you show each of the crew individually

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doing something

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this particular shot was the beginning

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of the deploy sequence

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in this sequence

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they did utilize a zoom

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they went into close-ups which are

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good um the pan in uh this particular

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type of pan is a is a good length

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it goes in it shows a computer shows him

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doing something and also you can use it

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as a cutaway because once you get in

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close to his hand where you can't see

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what's going on you can cut to hulk or

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you can cut to

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lounge or wherever you want to go and it

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makes sense

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you don't get a visual jump

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if like you would if you were on a long

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this is lounge who deployed the

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satellite

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this is also a part of the sequence and

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it's good because in this sequence you

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can't see anybody

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on the ford flight deck you just see

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lounge

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and even though

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it was a little long

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i was able to cut it up in really in

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three different sections

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and make it play real good with the tdrs

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deploy

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it's important if you're trying to

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um here's his close-up you could also

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also you could also go in just shoot a

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close-up shot not a zoom

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go in close focus it and shoot throw in

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the switch

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then you can immediately cut back to the

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deploy out the window

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which in the final film i did for him i

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used it in in that

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now they've been better off to quit

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right there because as they came up they

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were out of

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and at this point in time it had been a

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lot better to cut the camera off which i

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believe they do refocus it

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and start it over again as way so much

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film

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see that's much much better

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now the 34 crew

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tried to basically do the same thing but

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in the next shot

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you'll see where

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they had the right idea it's just that

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the shot was too wide the commander at

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this point in time should be back

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at the af station to fly the orbiter

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away from the satellite

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you get the idea lucid is supposed to be

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deploying the satellite and throwing the

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switches

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but don williams would not be sitting in

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that particular chair so

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you need a tighter shot so it doesn't

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show him

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helmers to establish him it's usually

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good to establish each one of your crew

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members

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isolate them from the other ones so you

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can use it just about any time and

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anywhere you want

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again it probably would have been better

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to cut the camera off going for a

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close-up and shoot the close-up and

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rather than just kind of pan around but

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that's your choice

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i guess he's throwing release rat uh

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latches and what have you

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in preparation for uh launching the

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satellite now the only thing he

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regretted was he he tended to overact

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and it's coming up

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in a little while uh

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after he saw it he kind of said well gee

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and i'll show you where he does it

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because when he looks around he kind of

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says

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you know oh my gosh it's gone and

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in the final film i was able to cut

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this didn't work out too good

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you might have to shoot straight down on

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it's a good angle as far as showing

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somebody now he's going to come up and

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as he makes his turn i believe and comes

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up to the window he kind of overreacts

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right there

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but i was able to cut it from that point

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and use this portion of the shot

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now this is a good angle

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to shoot somebody

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looking out a window whether it be the

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back window or the front window

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you can see him doing something in this

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case pinky was taking pictures of the

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of the tdrs

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and

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they shot some others with him looking

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out the front window or the top window

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which was good i was able to use him in

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conjunction with uh the tdrs launch

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or the earth scenes

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now rick is at the back

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station

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where he's preparing to fly

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the uh

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the orbiter back away

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and he looked out the back window and he

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looked out the top window now they shot

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this

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the it was all over with

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and it worked out real well because they

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were just too busy at the time

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that they were

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this particular shot shows you what

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happens when you shoot too quick

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to the front of a roll

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and you needed more on the front of this

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shot that wasn't fogged

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they loaded their camera they started

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shooting they should have run at least

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10 15 seconds into the roll before they

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started their con camera

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consequently

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the front of it was fogged to the point

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where it just really wasn't usable

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it would also be nice to have a shot

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of the

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the other point i want to make and i'm

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not quite sure what your training is

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they

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uh most of these launches are anywhere

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from 40 to 40 seconds to a minute

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to deploy

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and you know you're looking at

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36 to 40 maybe 50 feet of film

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going through the camera of the thing

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just sitting there before you ever

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and

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i would think

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unless there was a certain reason i

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would think 15 seconds would be enough

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but

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if they give you that pad in case you

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have a camera problem still gives you a

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chance to get your camera running or

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this is a great shot

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they went from the deploy they could

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have let it go out of frame and

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immediately move up here

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that would have been all right but it's

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uh it's massive it looks

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so big as it comes over the head and

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what i did was

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let it kind of come up

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and before you got that real bad camera

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movement

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i cut to rick looking at from his

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position out that top window as he looks

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right up at this

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as a tdress as it goes overhead

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they did a great job at tracking it

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it's great against that earth

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and as it moves out of the shadow of the

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orbiter then it really becomes

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it might have been better

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to

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just cut the camera off

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go into a full zoom

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focus it and shoot this

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as it would be

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to kind of zoom as they went in even

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though they stayed in focus that that

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part of it was good

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but here pretty quick you'll see where

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they weren't really checking their

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camera as they should be at least their

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focus

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and they shot a heck of a nice shot or

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it would have been

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i guess they forgot because of the depth

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of field

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that and they're moving away from each

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other

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keep a keep a check on that focus

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full telephoto unless you can really

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steady yourself

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or put it in a bracket now this is the

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shot where it would have been a just a

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just a great shot

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had they just

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re-racked their focus and and

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we had intended originally to

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lay this all in and kind of edit it down

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at the time we were transferring it to

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video but they

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they ran out of time over there and so

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we just didn't have the time

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but really this would have been a good

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length and uh

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that they just

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this is a pretty shot

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with the tdrs to the right and the earth

248
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you can see how

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unless you go

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unless you brace yourself good how how

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jerky it gets when you go full telephoto

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although that's a great shot but

253
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if it's just a little steady or if

254
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there's some way you can brace that

255
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camera yourself

256
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to where you can

257
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all right this is the 29 tdrs this first

258
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shot was a little bit on the short side

259
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they went 40 seconds before they

260
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as steady as it is i'd say they had it

261
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now if they're raising it up then you

262
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may want as long as the lead is that but

263
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really 10 15 seconds on the front of

264
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most satellites come out fairly slow

265
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these big ones like this and

266
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it's a good shot

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there's the pitch

268
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excuse me

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where the

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commander is

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moving the orbiter back away from the

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you really don't need to carry it this

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long once it gets up out

274
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out of your view five seconds is plenty

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to go ahead and unless there's really

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some spectacular piece of earth down

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below it

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this is a

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and it doesn't hurt to show the window

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you show the window it shows your

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relationship between you and them

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here they would have been much better

283
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off though i think to cut the camera

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and and focus it get it in close focus

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it do what they wanted

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and then shoot it they

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they lost a lot of film here just kind

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of

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trying to

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they

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kind of did what i call i guess

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tromboning

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in that

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if they went in and they got it in focus

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they should have held it

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for

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back they just about got it there got it

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in focus and then pulled back again

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it's going to be out there a while and

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unless it's really moving away from you

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in a hurry

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you've got time to

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to

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this is sts-30 believe it magellan

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there

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up

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so they went 56 seconds hanging on this

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shot

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before they

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which is longer than you'd want you

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00:19:18,630 --> 00:19:16,559
might want them tilting it up

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because then you can go back inside to

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to your

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deploy sequence

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and you can have it going up

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partially up go the inside come back

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and have it full up and you accept it

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if you cut on the outside from it going

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up to it full up

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and you didn't change perspective it

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would jump like mad and and

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now this is a good deploy

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even for such a thing as a sin con

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in that there is

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sky above the tail the tail is not cut

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off

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and if i were going to pick a shot and

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show the

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sin con deploy i think i'd pick it from

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and that you can see the

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the earth above the tail and you see the

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whole tail this is a good example of

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full zoom but not

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being steadied up to anything

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it doesn't take much movement on your

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to jerk all over the place this is what

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i was talking about this morning

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as far as i

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for this satellite

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it was good because you're clear back

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although it's a little soft

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the focus a little soft on it

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it's such a big satellite but i wouldn't

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use it for a sin con

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it

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and on this particular one

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they didn't get any

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tracking which would have been

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00:22:42,710 --> 00:22:40,799
nice um

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00:22:44,070 --> 00:22:42,720
they were shooting imax and between imax

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and all the other cameras they're just i

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guess there just wasn't room to get a

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another camera in the uh

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right this is 51d

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this is a simcon deploy

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00:23:29,190 --> 00:23:27,200
again i think i'd be back a little bit

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farther so you can see the top of the

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tail especially if there's an earth in

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the background

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on some of the flights they

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they launched it right up the tail and

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which went right up the edge of the

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earth because you could see the earth

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horizon in the background

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and it really makes a pretty shot this

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00:23:48,870 --> 00:23:47,120
comes out of here pretty fast compared

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to the other ones when you look at

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00:23:53,430 --> 00:23:50,880
how fast this deploys

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on your flight i believe

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you won't have anything in front of it

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but it's smooth

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i think that slight jerk you saw was

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should have been a it'd be nice to have

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like they're taking the camera off the

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now they're in the shadow of the orbiter

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they realize that their

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exposure i guess isn't all that good

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00:25:31,029 --> 00:25:27,350
of course this is the satellite that the

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00:25:35,830 --> 00:25:33,269
had the antenna been going up there they

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00:25:37,990 --> 00:25:35,840
would probably had trouble seeing it

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00:25:57,029 --> 00:25:38,000
go up unless it's unless they're out far

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this is one of the better cencon

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tracking they tracked it for a long time

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00:26:06,149 --> 00:26:03,760
which is great

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00:26:08,710 --> 00:26:06,159
we get a lot of calls for

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00:26:09,669 --> 00:26:08,720
satellites in orbit

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just

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00:26:13,909 --> 00:26:11,600
kind of floating around even though it

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00:26:15,750 --> 00:26:13,919
it's not where up where it belongs but

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00:26:57,190 --> 00:26:15,760
it's pretty and most people don't know

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00:27:01,190 --> 00:26:59,430
now in this shot

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00:27:02,950 --> 00:27:01,200
uh you kind of got to watch when you're

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00:27:05,590 --> 00:27:02,960
shooting something that objects don't

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00:27:08,390 --> 00:27:05,600
float up in front of your face

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00:27:11,029 --> 00:27:08,400
and um

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00:27:12,470 --> 00:27:11,039
ellen baker said you know

397
00:27:14,630 --> 00:27:12,480
you need to lock your feet down she

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00:27:15,510 --> 00:27:14,640
didn't realize it until after she got

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00:27:17,110 --> 00:27:15,520
back

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00:27:18,630 --> 00:27:17,120
that she really needed to put her feet

401
00:27:20,149 --> 00:27:18,640
down and lock him into some place

402
00:27:21,909 --> 00:27:20,159
because your natural position is your

403
00:27:24,950 --> 00:27:21,919
legs up in front of you

404
00:27:29,830 --> 00:27:27,669
she got a lot of legs in that one

405
00:27:31,510 --> 00:27:29,840
this shot is

406
00:27:33,510 --> 00:27:31,520
kind of keep an eye on

407
00:27:35,990 --> 00:27:33,520
the angles that you shoot thing this is

408
00:27:38,549 --> 00:27:36,000
a eating sequence

409
00:27:43,590 --> 00:27:42,310
you need to watch the pants legs

410
00:27:45,110 --> 00:27:43,600
you got to watch that you don't get

411
00:27:58,389 --> 00:27:45,120
around where you're basically looking up

412
00:28:02,870 --> 00:28:01,430
now the next series of shots this

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00:28:05,510 --> 00:28:02,880
this one and the next one are really

414
00:28:07,269 --> 00:28:05,520
good in that it's a good angle

415
00:28:08,710 --> 00:28:07,279
uh nothing showing you have to worry

416
00:28:11,430 --> 00:28:08,720
about because we never want to show

417
00:28:13,029 --> 00:28:11,440
anybody in a compromising position or

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00:28:14,789 --> 00:28:13,039
something that might be embarrassing to

419
00:28:16,950 --> 00:28:14,799
them so we always try to cut the film so

420
00:28:18,470 --> 00:28:16,960
they always look their best

421
00:28:20,549 --> 00:28:18,480
it's nice you got people on the floor

422
00:28:23,750 --> 00:28:20,559
you got people on the ceiling and this

423
00:28:25,430 --> 00:28:23,760
is what turns people on they

424
00:28:27,990 --> 00:28:25,440
they think it's great other than that it

425
00:28:29,909 --> 00:28:28,000
could be shot in a simulator

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00:28:32,710 --> 00:28:29,919
people floating floating from one place